This exceptionally rare and fully original six-course Spanish guitar was crafted by the renowned luthier Josef Pagés, circa 1830. Josef Pagés was one of the sons of Juan Pagés, a prominent luthier in Cádiz. Following in his father's footsteps, Josef became one of the founding members of the Cádiz School of guitar makers and a pioneering figure in the evolution of the classical guitar. His instruments are celebrated for their exquisite craftsmanship, rich tonal quality, and historical significance. This particular guitar, with its German spruce top and South American rosewood back and sides, exemplifies the finest work of Pagés, who was active during a period that laid the groundwork for modern guitar design.

Biography and Significance:

Josef Pagés (1762-1830) was an influential Spanish luthier, the son of Juan Pagés (1741–1821), who was also a distinguished guitar maker in Cádiz. Building on his father's legacy, Josef Pagés became a central figure in the history of guitar making, playing a pivotal role in the transition from the baroque to the modern classical guitar. His innovations, such as refining the body shape and bracing system, greatly enhanced the instrument’s projection and tonal balance. Pagés’ guitars were highly sought after by musicians of his time, and his influence continues to resonate in modern guitar construction.

Notably, the famed Spanish guitarist and composer Fernando Sor, in his esteemed guitar method, recommended guitars by the Pagés family among only four makers. This endorsement speaks volumes about the quality and reputation of Pagés guitars during their time and adds a significant historical value to this instrument.

Provenance and Attribution:

This guitar bears a spurious 1860 Antonio Torres label, which is plainly inaccurate, as Torres never made this type of guitar, and there is nothing in the construction of this instrument to suggest his involvement. The previous owner purchaded this guitar from Dr. James Westbrook. He is a renowned British-based organologist, a respected luthier, author, and appraiser for Brompton's auction. His attribtion of it as authentic work of Josef Pagés is fully consistent with my own.

Even without this attribution, the rarity of finding a Spanish guitar from this period that remains in its original six-course configuration cannot be overstated. Over the centuries, many of these instruments have been altered or converted to six-string guitars to suit changing musical styles. This guitar, however, has retained its original setup, offering a rare glimpse into the early 19th-century guitar-making tradition. The French polish finish has been expertly restored, preserving the guitar’s authenticity while allowing it to be enjoyed for generations to come.

This Josef Pagés guitar represents a unique opportunity to own a piece of guitar history. Its fully original condition, combined with its exquisite craftsmanship, makes it a museum-worthy instrument, perfect for collectors and performers alike.

Price available on request.