Daniel Friederich (1932-2020) was born into a family of cabinet makers. At 23, he constructed his first classical guitar, a replica of Francisco Simplicio's instrument, becasue he was studying guitar, but couldn't afford a high-quality one. It wasn't until 1960, after building 15 guitars, and opening his own shop, that Daniel Friederich gained enough confidence to show Robert Bouchet one of his guitars. Bouchet became his mentor, offering valuable guidance for years to come. Friederich rose to fame in 1967, after he anonymously participating in the Liege Concours National de Guitares competition against 31 other makers (juried by Ignacio Fleta, Robert Bouchet, Joaquin Rodrigo, and Alirio Diaz), where his guitar won a silver medal for sound and a gold medal for craftsmanship. Daniel Friederich's guitars have achieved global acclaim and remain highly sought after by guitar enthusiasts and professional musicians. Thanks to their exceptional craftsmanship, Friederich instruments are considered the epitome of excellence, renowned for their tonal richness, clarity, and responsiveness.

During the time when this guitar was made, Friederich was making two levels of models: the 'Concert' model; and estudio models, the 'Récital' and the 'Arpège.' The 'Concert' model, is easily identified by a serial number on the label, featured a carved head, specially designed machine-head, high-quality wood, and purfling. The more affordable, 'Récital' and 'Arpège' models, while still showcased Friederich's dedication to craftsmanship and meticulous attention to detail, have no serial number on the label nor a carved headstock.

This guitar is of course his 'Concert' model. Apart from some light sratches on top edge the upper bout that have been addressed with French polish, this guitar is in extraordinary condition. Some years ago, I had the prize-winning 1967 Friederich come through my hands, this one is better, and doubtless is the best Friederich I have played.